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Monday, December 29, 2008

The Green Bay Packers defeated the Detroit Lions on Sunday evening by a final score of 31–21, effectively ending the Lions’ season with an 0-16 record. The game was played at Lambeau Field in Green Bay, Wisconsin and was televised by Fox in the United States. Kickoff was at 1:00 p.m. EDT. The Lions became the first National Football League franchise to complete an “imperfect season” (without a victory) since the introduction of the 16-game schedule in the 1978 NFL season. The winless season comes just a year after the New England Patriots did the reverse, accomplishing the NFL’s first “perfect” 16-0 regular season.

After trailing the game 14–0 entering the second quarter, Detroit rallied back to tie the game at 14 by the end of the third quarter. The Packers took a 10-point lead halfway through the fourth quarter with a field goal by kicker Mason Crosby (Green Bay 17 – Detroit 14) and then a touchdown pass from quarterback Aaron Rodgers to fullback John Kuhn (Green Bay 24 – Detroit 14). The Lions fought back with a rushing touchdown by Kevin Smith which left Detroit within three points of tying the game. However, just 11 seconds later, the Packers took possession and Aaron Rodgers completed a 71-yard touchdown pass to wide receiver Donald Driver (Green Bay 31 – Detroit 21). The Packers held on to the lead for the remainder of the game to seal their sixth victory on the season.

Lions quarterback Dan Orlovsky was 22-of-42 for 225 yards with two touchdowns and two interceptions. Calvin Johnson led the Lions in receiving with 102 yards and touchdowns. Kevin Smith led the Lions in rushing with 92 yards and one touchdown.

For the Packers, quarterback Aaron Rodgers was 21-of-31 for 308 yards and three touchdowns, and running backs Ryan Grant and DeShawn Wynn rushed for 106 yards each. Wide receivers Donald Driver and Greg Jennings led the Packers in receiving, both tallying over 100 yards.

Prior to the Lions’ loss on Sunday, the Tampa Bay Buccaneers were the only franchise since the 1970 AFL–NFL merger to finish a season without a victory or a tie. The 1976 Tampa Bay Buccaneers finished their season with a 0-14 record. It was the Buccaneers franchise’s first season in the NFL. Tampa Bay also lost the first 12 games of the 1977 season, and the team’s 26-game losing streak is still the longest in NFL history. The 1982 Baltimore Colts were the most recent NFL team to not win a game in their respective season, failing to win in the strike-shortened 1982 season, posting an 0-8-1 record.

The Lions’ loss was closely watched by some members of the 1976 Buccaneers team, including defensive end Pat Toomay. Toomay told reporters, “I would like the torch to be passed…At the same time, you don’t want to wish that on anybody.” Toomay also pointed out that although the Buccaneers lost every game in their inaugural season, the team reached the NFC Championship Game in their fourth season (1979).

Steve Spurrier, the quarterback for the Buccaneers in the 1976 season, voiced his support for the Lions in their quest to win their first game of the season, hoping that only the Buccaneers would hold the distinction of finishing an “imperfect season.”

“I want that record,” Spurrier said. “I’m pulling for them, sure,” Spurrier added. “That’s the American thing to do, isn’t it?”

Entering the game, the Lions were 10½-point underdogs against the Packers in spread betting. Lions tackle Gosder Cherilus likened the team’s chance to avoid the 0-16 finish as a championship game. “It’s our Super Bowl,” Cherilus told reporters on Friday, December 27.

The Lions surpassed the 1980 New Orleans Saints with their 15th consecutive loss on December 21 to become the first team in NFL history to lose the first 15 games of the season. The 1980 Saints lost their first 14 games, but won their 15th game against the New York Jets.

The closest margin that the Lions came to within victory was two points, which came against the Minnesota Vikings on October 12. Minnesota won the game by a score of 12–10. The 1976 Buccaneers suffered five shutout losses (in which they did not score a single point) in their winless season. The closest that the Buccaneers came within victory was a 23–20 loss to the Miami Dolphins on October 24, 1976.

Prior to the regular season, the Lions won all four of their games in the exhibition season, which do not count in regular season standings or totals.

While the loss didn’t come without a fight from the Lions, players from the team knew that they would be forever remembered as possibly the worst team in NFL history. “I’ve got to live with this,” Lions center Dominic Raiola said. “I’ve been here eight years. This is on my résumé.”

“I don’t ever want to be a part of this again,” Lions quarterback Dan Orlovsky said. “We haven’t won since, November of ’07, maybe? I don’t even know the last time we won a game.” The franchise’s last victory in the regular season was on December 23, 2007 against the Kansas City Chiefs.

Packers players were just as eager for a victory. Green Bay’s quarterback Aaron Rodgers said while their own season was disappointing, they didn’t want to be forever remembered as the team that lost to the 0-15 Lions in the final game of the season. “We didn’t want to lose, no, we didn’t,” Rodgers said. “But really it’s not on your mind once the game starts. I didn’t even think about it until the fans started chanting in the fourth quarter. They played hard, they really did.” Packers fans in attendance at Lambeau Field began to chant “0-16” late in the game.

With their victory, the Packers finished their 2008 season with a 6-10 record. With the loss, the Lions finished their 79th season since their inception as the Portsmouth Spartans in 1929. It was the Lions’ 75th season in Detroit, Michigan. The franchise also secured the first-overall selection in the upcoming 2009 NFL Draft, a spot reserved for the NFL team with the worst record from the previous season entering the upcoming season.

After the game, Lions head coach Rod Marinelli declined to comment on his future with the team. Since being hired in 2006, the Lions have had a 10-38 record under Marinelli. The Lions have averaged 11 losses per season since 2001 and now have lost 23 of their last 24 games. The 0-16 record could be a lasting testimony to the Matt Millen era. With Millen as president of the team from 2001 until he was fired on September 24, Detroit won only 31 games. Millen was widely criticized for his handling of the Lions organization, and Lions fans rallied to have him relieved of duties for years.

Friday, September 1, 2006

A large clinical trial found that grass pollen tablets under the tongue (sublingual) are an effective treatment option for hay fever sufferers. The results have been published in this month’s edition of the Journal of Allergy and Clinical Immunology.

Tablets with grass pollen that dissolve quickly under the tongue may provide doctors with a better tool to fight the illness. The patient could take the pills at his own home, and after a while the symptoms may disappear completely and treatment can be ceased. Contrary to the current standard treatment, this therapy targets the immune system in such a way that it treats the cause and not just the symptoms.

634 patients from 8 countries participated in the trial. Half received Grazax^® tablets (a product of ALK-Abello, Hørsholm, Denmark), the other half placebo pills. The group receiving treatment showed fewer symptoms during hay fever season and consequently cut down on their medication use. Grazax^® also caused few and tolerable side effects such as itching and swelling in the mouth.

Combined with several earlier papers, these results provide a basis for ALK-Abello to apply for European approval of their drug. It has already been approved in Sweden, and the company will follow a Mutual Recognition Procedure hoping to get their product in European pharmacies by the end of 2006. The company will continue to fund further inquiries into Grazax^® and will keep collaborating with scientists from several European countries.

During hay fever season, patients develop a runny nose, swelling of the mucous membranes of the nose, sneezing and teary eyes, a condition doctors call allergic rhinoconjunctivitis. The condition seems to be increasingly frequent, with approximately 10% of the population suffering from grass pollen allergy. First-line treatment includes antihistaminics (like cetirizine or Zyrtec^®/Zyrlex^®) and steroid sprays, but results are often disappointing.

Long term results have been demonstrated for weekly shots with pollen extracts (a procedure called desensitization), but too many visits to the doctor make the process troublesome. Also, the patient has to wait some time before leaving the doctor’s office, due to the risk of developing a kind of shock state termed anaphylactic shock.

Friday, March 25, 2005

A U.S. District Court in Tarrant County, Texas, issued a summary judgment Thursday against Circuit City’s InterTAN Inc., requiring all 950 RadioShack stores in Canada to stop using the RadioShack brand in store signs, packaging, products and advertising after June 30.

RadioShack’s Canadian operations were spun off in 1986 to a new corporation, InterTAN Canada, which was purchased in 2004 by RadioShack’s major U.S. competitor, Circuit City. Shortly thereafter, RadioShack sued InterTAN, alleging it had violated the terms of their licensing agreement and seeking the right to terminate the contract early.

In a statement released following the judge’s ruling, RadioShack’s general counsel, Mark Hill, claimed: “The most important thing to us was to protect our brand position in Canada.”

Circuit City chairman and chief executive officer, W. Alan McCollough responded today in a press release seeking an appeal: “We respectfully believe the court has erred in the partial ruling entered yesterday and we will use every means of relief possible to exercise our rights under the agreements, including all appeal rights. The Company believes the positions taken by InterTAN are correct and believe InterTAN will ultimately prevail in the legal proceedings.”

Friday, April 20, 2007

Andrew Burris, from Curtis, Ohio, and member of Carpenters Local 1138, died in Toledo, Ohio when the construction platform he was on fell around 9:15 a.m. EST. The platform was attached to the northbound side of the Veterans’ Glass City Skyway, a new bridge on Interstate 280. The platform was clamped to the side of the bridge, and broke off. Burris fell about 95 feet to the ground, where he landed on the east side of the roadway. Authorities from the Occupational Safety and Health Administration do not know why the platform broke free from the bridge. The Toledo Police department does not suspect foul play, and considers the death to be accidental. The $220 million bridge is scheduled for opening in June, 2007, and is the largest construction project in the history of Ohio.

“On behalf of Director Beasley and the Ohio Department of Transportation, we extend our deepest sympathy to the family of Andrew Burris,” said ODOT District 2 director, Dave Dysard. “We also extend our condolences to his relatives, friends and his fellow workers who have made us proud through their commitment and dedication to their work. Andrew was a part of the team that took the pylon to the top back in 2005. For four-and-a-half years, he was an integral part of the team that worked to complete this vital link for our community.”

This is the second fatal accident on the bridge. On Presidents’ Day in 2004, five workers were killed and four were injured when a crane collapsed.

Mr. Burris was from a line of carpenters, and kept a scrapbook of the project. His mother, Ruth, was quoted as saying “I think he felt closer to heaven there.”

Friday, February 1, 2008

The 2008 Taipei Game Show, organized by the Taipei Computer Association (TCA), ended on Monday, and was different from shows of past years. This could be seen in the gaming population, industry, and exhibition arrangements.

Monday, March 17, 2008

Indonesian budget airline Adam Air has been given a three-week ultimatum by the authorities to prove its economic stability or its license will be revoked, said Transportation Minister Jusman Djamal. This is because major financial difficulties have become apparent today, with two major shareholders pulling out of the company.

PT Global Transport Service (GTS) and Bright Star Perkasa, who between them own a 50% stake in the company, have decided to sell back all their shares to their original owners, who control the other 50%. These are the family of founder Adam Suherman and Sandra Ang.

The companies invested in the airline last year, when the company was struggling after the New Year’s Day disappearance of Adam Air Flight 574 with 102 on board. The Boeing 737 (B737) was ultimately determined to have crashed into the sea near Sulawesi, and all on board are presumed dead. Shortly afterwards, Adam Air Flight 172, another B737, snapped in half during a hard landing, but held together preventing fatalities. These were not the first serious accidents for the company, as in February 2006 Flight 782 became lost for several hours after navigation systems failed and the plane entered a radar blackspot, forcing a subsequent emergency landing many miles from the intended route. The given reasons for the withdrawal are a lack of improvement in safety and financial irregularities.

The company has now also defaulted on debt payments to aircraft lease firms, resulting in 12 of their 22 planes being seized, and has cut the number of routes served from 52 to 12. The remaining ten planes are also in default and at risk of seizure. Adam Air owes leasing companies US$14 million compared to free capital of $4.8 million of free capital. They have agreed to buy back shares gradually for $11 million (100 billion rupiah), $6 million less than the investment firms paid for them. The cost difference will be borne by Harry Tanoesoedibyo’s family, the founder of PT Bhakti Investama, of which GTS is a wholly owned subsidiary. The companies have also lost 157 billion rupiah worth of investment in the company since the April 2007 deal. 9,325 Rupiah are currently worth US$1.

GTS director Gustiono Kustianto said that “Since we joined, our priority has been safety” but that Adam Air’s management had been unresponsive to pressure from the new investors to improve its poor record. Last weeek another company B737 shot off the runway during landing, damaging the plane and injuring five.

Lawyer Marx Andryan of Hotman Paris Hutapea, representing the investment firms, said they have documents proving the company has not adequatly seen to pilot recruitment, maintenance and insurance.

Suherman said “We have defaulted and the investors have done nothing about it. We’ll continue to operate as long as we have planes,” adding that there are no current plans to declare bankruptcy.

“Out of 22 planes, now we only have 10 because 12 of them have been declared in default. The other 10 have been declared in default as well, but I’m still trying to work out a way to restructure the payments,” he told Reuters. He went on to say that a cash injection is required, and that “There is a possibility starting on March 21 Adam Air will temporarily cease operations until there is a decision from the shareholders regarding the insurance premium.”

Saturday, October 6, 2007

Few artists ever penetrate the subconscious level of American culture the way RuPaul Andre Charles did with the 1993 album Supermodel of the World. It was groundbreaking not only because in the midst of the Grunge phenomenon did Charles have a dance hit on MTV, but because he did it as RuPaul, formerly known as Starbooty, a supermodel drag queen with a message: love everyone. A duet with Elton John, an endorsement deal with MAC cosmetics, an eponymous talk show on VH-1 and roles in film propelled RuPaul into the new millennium.

In July, RuPaul’s movie Starrbooty began playing at film festivals and it is set to be released on DVD October 31st. Wikinews reporter David Shankbone recently spoke with RuPaul by telephone in Los Angeles, where she is to appear on stage for DIVAS Simply Singing!, a benefit for HIV-AIDS.

DS: How are you doing?

RP: Everything is great. I just settled into my new hotel room in downtown Los Angeles. I have never stayed downtown, so I wanted to try it out. L.A. is one of those traditional big cities where nobody goes downtown, but they are trying to change that.

DS: How do you like Los Angeles?

RP: I love L.A. I’m from San Diego, and I lived here for six years. It took me four years to fall in love with it and then those last two years I had fallen head over heels in love with it. Where are you from?

DS: Me? I’m from all over. I have lived in 17 cities, six states and three countries.

RP: Where were you when you were 15?

DS: Georgia, in a small town at the bottom of Fulton County called Palmetto.

RP: When I was in Georgia I went to South Fulton Technical School. The last high school I ever went to was…actually, I don’t remember the name of it.

DS: Do you miss Atlanta?

RP: I miss the Atlanta that I lived in. That Atlanta is long gone. It’s like a childhood friend who underwent head to toe plastic surgery and who I don’t recognize anymore. It’s not that I don’t like it; I do like it. It’s just not the Atlanta that I grew up with. It looks different because it went through that boomtown phase and so it has been transient. What made Georgia Georgia to me is gone. The last time I stayed in a hotel there my room was overlooking a construction site, and I realized the building that was torn down was a building that I had seen get built. And it had been torn down to build a new building. It was something you don’t expect to see in your lifetime.

DS: What did that signify to you?

RP: What it showed me is that the mentality in Atlanta is that much of their history means nothing. For so many years they did a good job preserving. Don’t get me wrong, I’m not a preservationist. It’s just an interesting observation.

DS: In 2004 when you released your third album, Red Hot, it received a good deal of play in the clubs and on dance radio, but very little press coverage. On your blog you discussed how you felt betrayed by the entertainment industry and, in particular, the gay press. What happened?

RP: Well, betrayed might be the wrong word. ‘Betrayed’ alludes to an idea that there was some kind of a promise made to me, and there never was. More so, I was disappointed. I don’t feel like it was a betrayal. Nobody promises anything in show business and you understand that from day one.

But, I don’t know what happened. It seemed I couldn’t get press on my album unless I was willing to play into the role that the mainstream press has assigned to gay people, which is as servants of straight ideals.

DS: Do you mean as court jesters?

RP: Not court jesters, because that also plays into that mentality. We as humans find it easy to categorize people so that we know how to feel comfortable with them; so that we don’t feel threatened. If someone falls outside of that categorization, we feel threatened and we search our psyche to put them into a category that we feel comfortable with. The mainstream media and the gay press find it hard to accept me as…just…

DS: Everything you are?

RP: Everything that I am.

DS: It seems like years ago, and my recollection might be fuzzy, but it seems like I read a mainstream media piece that talked about how you wanted to break out of the RuPaul ‘character’ and be seen as more than just RuPaul.

RP: Well, RuPaul is my real name and that’s who I am and who I have always been. There’s the product RuPaul that I have sold in business. Does the product feel like it’s been put into a box? Could you be more clear? It’s a hard question to answer.

DS: That you wanted to be seen as more than just RuPaul the drag queen, but also for the man and versatile artist that you are.

RP: That’s not on target. What other people think of me is not my business. What I do is what I do. How people see me doesn’t change what I decide to do. I don’t choose projects so people don’t see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system. A friend of mine recently did the Oprah show about transgendered youth. It was obvious that we, as a culture, have a hard time trying to understand the difference between a drag queen, transsexual, and a transgender, yet we find it very easy to know the difference between the American baseball league and the National baseball league, when they are both so similar. We’ll learn the difference to that. One of my hobbies is to research and go underneath ideas to discover why certain ones stay in place while others do not. Like Adam and Eve, which is a flimsy fairytale story, yet it is something that people believe; what, exactly, keeps it in place?

DS: What keeps people from knowing the difference between what is real and important, and what is not?

RP: Our belief systems. If you are a Christian then your belief system doesn’t allow for transgender or any of those things, and you then are going to have a vested interest in not understanding that. Why? Because if one peg in your belief system doesn’t work or doesn’t fit, the whole thing will crumble. So some people won’t understand the difference between a transvestite and transsexual. They will not understand that no matter how hard you force them to because it will mean deconstructing their whole belief system. If they understand Adam and Eve is a parable or fairytale, they then have to rethink their entire belief system.

As to me being seen as whatever, I was more likely commenting on the phenomenon of our culture. I am creative, and I am all of those things you mention, and doing one thing out there and people seeing it, it doesn’t matter if people know all that about me or not.

DS: Recently I interviewed Natasha Khan of the band Bat for Lashes, and she is considered by many to be one of the real up-and-coming artists in music today. Her band was up for the Mercury Prize in England. When I asked her where she drew inspiration from, she mentioned what really got her recently was the 1960’s and 70’s psychedelic drag queen performance art, such as seen in Jack Smith and the Destruction of Atlantis, The Cockettes and Paris Is Burning. What do you think when you hear an artist in her twenties looking to that era of drag performance art for inspiration?

RP: The first thing I think of when I hear that is that young kids are always looking for the ‘rock and roll’ answer to give. It’s very clever to give that answer. She’s asked that a lot: “Where do you get your inspiration?” And what she gave you is the best sound bite she could; it’s a really a good sound bite. I don’t know about Jack Smith and the Destruction of Atlantis, but I know about The Cockettes and Paris Is Burning. What I think about when I hear that is there are all these art school kids and when they get an understanding of how the press works, and how your sound bite will affect the interview, they go for the best.

DS: You think her answer was contrived?

RP: I think all answers are really contrived. Everything is contrived; the whole world is an illusion. Coming up and seeing kids dressed in Goth or hip hop clothes, when you go beneath all that, you have to ask: what is that really? You understand they are affected, pretentious. There’s nothing wrong with that, but it’s how we see things. I love Paris Is Burning.

DS: Has the Iraq War affected you at all?

RP: Absolutely. It’s not good, I don’t like it, and it makes me want to enjoy this moment a lot more and be very appreciative. Like when I’m on a hike in a canyon and it smells good and there aren’t bombs dropping.

DS: Do you think there is a lot of apathy in the culture?

RP: There’s apathy, and there’s a lot of anti-depressants and that probably lends a big contribution to the apathy. We have iPods and GPS systems and all these things to distract us.

DS: Do you ever work the current political culture into your art?

RP: No, I don’t. Every time I bat my eyelashes it’s a political statement. The drag I come from has always been a critique of our society, so the act is defiant in and of itself in a patriarchal society such as ours. It’s an act of treason.

DS: What do you think of young performance artists working in drag today?

RP: I don’t know of any. I don’t know of any. Because the gay culture is obsessed with everything straight and femininity has been under attack for so many years, there aren’t any up and coming drag artists. Gay culture isn’t paying attention to it, and straight people don’t either. There aren’t any drag clubs to go to in New York. I see more drag clubs in Los Angeles than in New York, which is so odd because L.A. has never been about club culture.

DS: Michael Musto told me something that was opposite of what you said. He said he felt that the younger gays, the ones who are up-and-coming, are over the body fascism and more willing to embrace their feminine sides.

RP: I think they are redefining what femininity is, but I still think there is a lot of negativity associated with true femininity. Do boys wear eyeliner and dress in skinny jeans now? Yes, they do. But it’s still a heavily patriarchal culture and you never see two men in Star magazine, or the Queer Eye guys at a premiere, the way you see Ellen and her girlfriend—where they are all, ‘Oh, look how cute’—without a negative connotation to it. There is a definite prejudice towards men who use femininity as part of their palette; their emotional palette, their physical palette. Is that changing? It’s changing in ways that don’t advance the cause of femininity. I’m not talking frilly-laced pink things or Hello Kitty stuff. I’m talking about goddess energy, intuition and feelings. That is still under attack, and it has gotten worse. That’s why you wouldn’t get someone covering the RuPaul album, or why they say people aren’t tuning into the Katie Couric show. Sure, they can say ‘Oh, RuPaul’s album sucks’ and ‘Katie Couric is awful’; but that’s not really true. It’s about what our culture finds important, and what’s important are things that support patriarchal power. The only feminine thing supported in this struggle is Pamela Anderson and Jessica Simpson, things that support our patriarchal culture.